Two consulting detectives are brought in to investigate a peculiar crime scene

When one brother is killed as the result of gang violence, the other must choose between righteousness or revenge.

Stephen Mulhern presents the pop-up gameshow based on the original 'Saturday Night Takeaway' feature. The host takes their unique brand of games and quizzes to the streets, challenging unsuspecting members of the public for a chance to win.

A stay-at-home mom and avid reader of crime stories discovers the deepest secrets of a small town's residents while investigating a woman's murder.

Prominent people from Newfoundland and Labrador discuss the province's history and their expectations for the future.

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

A Country Practice was an Australian television drama series. At its inception, one of the longest-running of its kind, produced by James Davern of JNP Productions, who had wrote the pilot episode and entered a script contest for the network in 1979, coming third and winning a merit award. It ran on the Seven Network for 1,058 episodes from 18 November 1981 to 22 November 1993. It was produced in ATN-7's production facility at Epping, Sydney. After its lengthy run on the seven network it was picked up by network ten with a mainly new cast from April to November 1994 for 30 episodes, although the ten series was not as successful as its predecessor . The Channel Seven series was also filmed on location in Pitt Town, while, the Channel Ten series was filmed on location in Emerald, Victoria.

Physics, geology, and democracy collide across the expansive American interior, in a series of vignettes from six candidate sites for a sacrificial nuclear dumping ground.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.